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Tag: quartette humaine

James & Sanborn Take Over #1!

by on Sep.05, 2013, under News

 

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…and Chuck Loeb holds strong at #15!

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‘Quartette Humaine’ Staying Strong at #13

by on Aug.11, 2013, under News

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‘Quartette Humaine’ ascends to #13 on Smoothjazz.com chart! (continue reading…)

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James & Sanborn Move Closer to #1

by on Aug.10, 2013, under News

Bob & Dave Sanborn - Color

“Deep in the Weeds” moves to #2 this week 0n Mediabase Smooth AC charts!

(continue reading…)

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“Deep in the Woods” Continues the Climb to #1

by on Aug.09, 2013, under News

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“Deep in the Woods” is now up to #2 on the Billboard Smooth Jazz chart this week, and is only 11 spins from claiming the #1 spot!!! (continue reading…)

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Jazz Week Holds ‘Quartette Humaine’ in High Esteem

by on Aug.02, 2013, under News

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Bob James, Fourplay, & Chuck Loeb Grab the Groove Jazz Charts

by on Aug.01, 2013, under News

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‘Quartette Humaine’ is All Good

by on Jul.31, 2013, under News

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“Great CD. Nice to see them breaking out of their smooth jazz grooves into a great new sound for them, mainstream jazz.”

– Michele Robin-KJZZ-Phoenix,AZ

“Wonderful to hear these guys playing together again in an acoustic setting. An absolutely phenomenal performance by all.”

– Clifford Brown-KDYA-San Ramon, CA

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‘Esprit De Four’ & ‘Quartette Humaine’ Hold Strong on Smooth Jazz Chart

by on Jul.31, 2013, under News

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Smooth, but with a Punch: Longtime Stars James, Sanborn Deliver Strong Performance

by on Jun.27, 2013, under News, Press &Reviews

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OTTAWA — Scratch a veteran smooth jazzer and underneath you might find a jazzer.

So it seemed from Monday night’s TD Ottawa Jazz Festival concert by Bob James and David Sanborn. The two jazz stars, co-leading an acoustic group with drum legend Steve Gadd and rock-solid, scene-stealingly good acoustic bassist Scott Colley, played with not only crowd-pleasing accessibility but great intensity and sincere commitment, too.

While they might be renowned for a string of polished, funky studio efforts that opened the door for the vapidity of Kenny G and the smooth jazz ilk, James and Sanborn, while true to their signature sounds, were not making background music. The concert was certainly polished and smooth, groovy and bluesy, but smooth jazz in the elevator-music sense it wasn’t.

(continue reading…)

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