We’ve talked with bassist Nathan East about his performances on many big hits, including “Easy Lover,” “Get Lucky,” “Change the World” and “Footloose.” Aside from his recording career, his tenure with artists like Eric Clapton and his esteem as one of the most in-demand session bass players has put him in many unique situations, including several performances at the White House.

His most recent appearances at 1600 Pennsylvania Avenue resulted in a pair of specials for PBS: The Gospel Tradition aired earlier this year, and featured East backing up Shirley Caesar, Darlene Love, Michelle Williams, Lyle Lovett and Aretha Franklin, and ‘A Celebration of American Creativity,’ which airs this Friday and features East playing alongside Smokey Robinson, Usher, James Taylor, Queen Latifah and more.

We talked to East about the thrill of playing for the president, the time he played with a president, and the other heads of state who have heard him play.

AllMusic: How overwhelming is it to perform at the White House?

Nathan East: It’s pretty exciting. Everything it takes to get in there, too, you’re constantly pulling out your ID, then you have to go through one thing at the street, one thing outside the White House, another thing inside with metal detectors and screenings, and then once you’re in there, it’s pretty exciting.

Continue reading the interview at AllMusic.com

A quarter of a century is a rather remarkable period of time for a jazz ensemble to stay together.

We’re happy to report that the celebrated jazz quartet, Fourplay, reached just that milestone this year and are celebrating the happy occasion with a new album called Silver.

The supergroup began its journey in 1990, when keyboardist Bob James asked drummer Harvey Mason, bassist Nathan East, and guitarist Lee Ritenour to collaborate with him on the recording of his album Grand Piano Canyon. They released their self-titled debut in 1991. Since then, they’ve released more than ten albums, received a Grammy nomination and had several number one hits on Billboard‘s contemporary jazz chart.

Continue Reading at FOR BASS PLAYERS ONLY…